(Click Category to Sort)
# | Title | Instrumentation | Genre | Year |
---|---|---|---|---|
1 | Invention (2 parts) for Piano | Piano | Solo Instrument | 1938 |
2 | Thirteen pieces for Piano | Piano | Solo Instrument | 1938-39 |
3 | Suite for Piano solo in four movements | Piano | Solo Instrument | 1940 |
4 | Sonatina in one movement for solo Piano | Piano | Solo Instrument | 1941 |
5 | Piano Suite for beginner | Piano | Solo Instrument | 1947 |
6 | Sonata in three movements for Piano and dancer | Piano and Dancer | Solo Instrument | 1947 |
7 | Concert Piece for Piano | Piano | Solo Instrument | 1948 |
8 | Five Pieces for Piano | Piano | Solo Instrument | 1948 |
9 | Cadenzas for Mozart Piano Concerto No. 21, K. 467, in C Major | Piano | Solo Instrument | 1948 |
10 | Eleven Bagatelles for Piano | Piano | Solo Instrument | 1949 |
11 | Sonata for solo Piano (three movements) | Piano | Solo Instrument | 1952 |
12 | Cadenzas for the Beethoven Violin Concerto | Violin | Solo Instrument | 1952 |
13 | Cadenzas for Mozart D Major Violin Concerto | Violin | Solo Instrument | 1954 |
14 | Cadenza (first movement) to Brahms Violin Concerto | Violin | Solo Instrument | 1955 |
15 | Cadenzas for Haydn Violin Concerto in C Major | Violin | Solo Instrument | 1957 |
16 | Cadenzas for Mozart G Major Violin Concerto | Violin | Solo Instrument | 1959 |
17 | Concert Etude for solo Cello Also Violin version |
Cello [Ver: Violin] | Solo Instrument | 1988 |
18 | Cadenzas to Symphonie Concertante by Johannes Graun for solo Violin and Viola, string orchestra, and harpsichord |
Violin, Viola, String Orchestra and Harpsichord | Solo Instrument | 1989 |
19 | Two more Concert Etudes for Cello | Cello | Solo Instrument | 1991-92 |
20 | Introduction – Theme and Variations For Violin and Piano |
Violin and Piano | Chamber | 1933 |
21 | Movement for String Quartet | String Quartet | Chamber | 1933 |
22 | Scherzo for String Quartet | String Quartet | Chamber | 1934 |
23 | Duo in four movements | Violin and Cello | Chamber | 1935 |
24 | Variations on a Welsh air | String Quartet | Chamber | 1936 |
25 | Suite for Violin and Viola | Violin and Viola | Chamber | 1937 |
26 | Suite in Eight movements for Violin and Viola | Violin and Viola | Chamber | 1938 |
27 | Four Fugues for String Trio | String Trio | Chamber | 1938 |
28 | String Quartet No. 1 in five movements | String Quartet | Chamber | 1939-40 |
29 | Four movements for String Quartet | String Quartet | Chamber | 1943 |
30 | Fantasy Sonata in three movements for Violin and Piano | Violin and Piano | Chamber | 1943 (Movements I and II) 1941 (Movement III) |
31 | Variation on “Red Army March” for Piano, Violin, and Cello | Violin, Cello and Piano | Chamber | 1943 |
32 | String Quartet No. 2 | String Quartet | Chamber | 1943-45 |
33 | Graded Duos for two Violins | Violin Duo | Chamber | 1945 |
34 | Piece for Violin and Piano | Violin and Piano | Chamber | 1945 |
35 | Sonata No. 2 for Violin and Piano (four movements) | Violin and Piano | Chamber | 1945 |
36 | Duo “In Time of War” (four movements) for Violin and Viola First version |
Violin and Viola | Chamber | 1944-45 |
37 | Nine Bagatelles for String Trio | String Trio | Chamber | 1947-48 |
38 | Duo for Violin and Viola in four movements | Violin and Viola | Chamber | 1948 |
39 | Sonata No. 3 for Violin and Piano (three movements) | Violin and Piano | Chamber | 1952 |
40 | Five Movements for String Quartet | String Quartet | Chamber | 1951 |
41 | Duo for two Violins in five movements | Violin Duo | Chamber | 1953 |
42 | New fifth movement to Five Movements for String Quartet | String Quartet | Chamber | 1954 |
43 | String Quartet No. 3 in four movements | String Quartet | Chamber | 1960 |
44 | Suite for Violin and Piano (three movements) | Violin and Piano | Chamber | 1962 |
45 | Duo Sonata for Cello and Piano in seven movements | Cello and Piano | Chamber | 1981-82 |
46 | Cavatina for String Quartet | String Quartet | Chamber | 1983 |
47 | “Variations without a theme” for Violin and Piano | Violin and Piano | Chamber | 1986 |
48 | Symphony Concertant for two players (both Violin and Viola) In five movements |
Violin and Viola | Chamber | 1991 |
49 | String Quartet No. 4 | String Quartet | Chamber | 1991 |
50 | “El dorado” for men’s chorus (a capella) | Men's Chorus | Choral/Vocal | 1936 |
51 | Madrigal for mixed chorus | Mixed Chorus | Choral/Vocal | 1936 |
52 | “Amen” for men’s chorus | Men's Chorus | Choral/Vocal | 1943 |
53 | Song for mezzo-soprano and string trio “And learn a voyager” [sp?] | Mezzo-Soprano and String Trio | Choral/Vocal | 1944 |
54 | Three Songs for Alto (Mezzo-soprano) and Piano “Love Song” Richards “Song” Ruheyser [sp?] “The Jabberwock” Lewis Carroll |
Alto (Mezzo-soprano) and Piano | Choral/Vocal | 1944-46 |
55 | “Piping Down the Valleys Wild” for mixed chorus words by William Blake |
Mixed Chorus | Choral/Vocal | 1964 |
56 | Two Songs for soprano and Piano | Soprano and Piano | Choral/Vocal | 1984 |
57 | Concertino in one movement for solo flute and string orchestra | Solo Flute and String Orchestra | Large Ensemble | 1941 |
58 | Concert Band March | Concert Band | Large Ensemble | 1943 |
59 | Work for Concert Band in one movement (also 2 Piano version) | Concert Band [Ver: 2 Piano] | Large Ensemble | 1945 |
60 | “Fantasy” for orchestra | Orchestra | Large Ensemble | 1956 |
61 | String Orchestra Suite in 10 movements Later version of four movements for four Violins, and two movements for String Quartet |
String Orchestra | Large Ensemble | 1958 |
62 | Symphony in One Movement (three sections) | Symphony Orchestra | Large Ensemble | 1961 |
63 | Concerto for Orchestra | Orchestra | Large Ensemble | 1991 [rev. 1998] |
65 | Three poems for Narrator and Piano | Narrator and Piano | Narrator and Instruments | 1945-46 |
66 | The Emperor and the Nightingale words by H.C. Andersen |
Narrator, Violin, and Piano | Narrator and Instruments | 1949 |
67 | The Princess on the Pea words by H.C. Andersen |
Narrator, Violin, and Piano | Narrator and Instruments | 1950 |
68 | The Princess on the Pea words by H.C. Andersen |
Narrator and String Trio | Narrator and Instruments | 1950 |
69 | The Princess on the Pea words by H.C. Andersen |
Narrator and Chamber Orchestra | Narrator and Instruments | 1950 |
70 | A Profane Xmas Cantata | Narrator, Violin, Viola, Cello, and Piano | Narrator and Instruments | 1950 |
71 | The Steadfast Tin Soldier for Narrator, Violin, and Piano words by H.C. Andersen |
Narrator, Violin, and Piano | Narrator and Instruments | 1951 |
72 | The Steadfast Tin Soldier for Narrator, Violin, and Piano words by H.C. Andersen |
Narrator and String Trio | Narrator and Instruments | Unknown | Later |
73 | How the Whale Got His Throat words by Rudyard Kipling |
Narrator, Violin, and Piano | Narrator and Instruments | 1953 |
74 | How the Whale Got His Throat words by Rudyard Kipling |
Narrator and String Trio | Narrator and Instruments | Unknown | Later |
75 | How the Rhinoceros Got His Skin words by Rudyard Kipling |
Narrator, Violin, and Piano | Narrator and Instruments | 1954 |
76 | The Sing Song of Old Man Kangaroo words by Rudyard Kipling |
Narrator, Violin, and Piano | Narrator and Instruments | 1955 |
77 | The Terrible Tempered Conductor in four movements words by Robert Mann |
Narrator, Orchestra | Narrator and Instruments | 1955 |
78 | The Little Match Girl words by H.C. Andersen |
Narrator, Violin, and Piano | Narrator and Instruments | 1956 |
79 | The Swineherd words by H.C. Andersen |
Narrator, Violin, and Piano | Narrator and Instruments | 1957 |
80 | The Swineherd words by H.C. Andersen |
Narrator, Piano, and String Quartet | Narrator and Instruments | Unknown | Later |
81 | Supplication Elizabethan poem |
Narrator, Violin, and Piano | Narrator and Instruments | 1957 |
82 | The Wicked Prince words by H.C. Andersen |
Narrator, Violin, and Piano | Narrator and Instruments | 1958 |
83 | The Little Red Hen variations | Narrator, Violin, and Piano | Narrator and Instruments | 1959 |
84 | The Little Red Hen variations | Narrator and String Quartet | Narrator and Instruments | Unknown | Later |
85 | Hawaiian Legend in 13 movements | Narrator, Violin, Piano, and percussion | Narrator and Instruments | 1962-63 |
86 | Mother Goose | Narrator and chamber group | Narrator and Instruments | 1963 |
87 | Mother Goose | Narrator and orchestra | Narrator and Instruments | 1964 |
88 | The Beginning of the Armadillos words by Rudyard Kipling |
Narrator, String Quartet, Piano, and sundry instruments | Narrator and Instruments | 1982 |
89 | How the Camel Got His Hump words by Rudyard Kipling |
Narrator and String Quartet | Narrator and Instruments | 1983 |
90 | Contemporary Native American Poetry [Windsongs] | Narrator, Violin, and other instruments | Narrator and Instruments | 1983 |
91 | Ancient Chinese Poetry | Narrator, Violin, and other instruments | Narrator and Instruments | 1985 |
Growing up as a nature-loving child in Portland, Oregon, Robert Mann wanted to be a forest ranger, but it was violin lessons—and his parents’ encouragement—that ultimately launched him on a remarkable journey that would span a lifetime and five continents as he pursued his passion for classical music as a violinist, composer, conductor, and teacher. In this fascinating and far-ranging memoir, he looks back at the struggles and triumphs of that journey, as well as the unique insights and experiences he’s gained along the way.
From their beginnings in 1947, the Juilliard String Quartet set out to play new music as if it had been composed long ago, and to play a classical piece as if it had just been written. At first, the fledging combo struggled to compete with the more established European string quartets, while also coping with the inevitable difficulties of trying to blend four singular personalities and talents into a harmonious whole, but by the time Mann retired from the group some fifty-one years later, the Julliard String Quartet had played close to six thousand concerts on every continent except Africa and Antarctica and become an enduring, beloved institution in American music. They won three Grammys for their recordings, while sharing their distinctive sound with such notable figures as Glenn Gould, Aaron Copland, Leonard Bernstein, and even Albert Einstein.
A Passionate Journey is Robert Mann’s story, an engrossing glimpse into a life filled with musical milestones and into the fascinating mind of a musical giant.